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      <title>RobynFleming.com</title>
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      <copyright>Copyright 2007</copyright>
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            <item>
         <title>Xfire Debate Club 9th Meeting: Women and Gaming</title>
         <description><![CDATA[<p>On October 25th, 2007, I participated in the <a href="http://xfire.com/cms/xf_debate/">Xfire Debate Club's 9th meeting,</a> focusing on the topic of "Women and Gaming" as a representative of <a href="http://cerise.theirisnetwork.org/"><em>Cerise </em>Magazine</a>.  A transcript of the debate can be read <a href="http://www.xfire.com/cms/xf_debate_transcript9_main/">here</a>.</p>]]></description>
         <link>http://www.robynfleming.com/2007/11/xfire_debate_club_9th_meeting.html</link>
         <guid>http://www.robynfleming.com/2007/11/xfire_debate_club_9th_meeting.html</guid>
         <category>Writing</category>
         <pubDate>Sat, 03 Nov 2007 14:44:54 -0700</pubDate>
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            <item>
         <title>This Is Why I Keep Chanting, “We Should Have Eloped.”</title>
         <description><![CDATA[<p>In September 2007, I guest-blogged for Karen Healey at <a href="http://girl-wonder.org/girlsreadcomics/">Girls Read Comics (And They're Pissed)</a>.  My column was titled "This Is Why I Keep Chanting, “We Should Have Eloped.”," and can be read <a href="http://girl-wonder.org/girlsreadcomics/?p=92">at this link</a>.</p>]]></description>
         <link>http://www.robynfleming.com/2007/11/this_is_why_i_keep_chanting_we.html</link>
         <guid>http://www.robynfleming.com/2007/11/this_is_why_i_keep_chanting_we.html</guid>
         <category>Writing</category>
         <pubDate>Sat, 03 Nov 2007 14:39:10 -0700</pubDate>
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            <item>
         <title>Online Research Links</title>
         <description><![CDATA[<p>Online Research Links<br />
(compiled by Caroline Stevermer, David Haseman and Robyn Fleming)</p>

<p>This is not (and cannot be!) an exhaustive list of all of the good information available on the internet, but it should help you get started with general research, and includes some of our favorite specialty sites, as well.</p>

<p><em>General Reference</em></p>

<p><a href="http://www.lib.berkeley.edu/TeachingLib/Guides/Internet/Boolean.pdf">http://www.lib.berkeley.edu/TeachingLib/Guides/Internet/Boolean.pdf</a> will help you get more out of your internet searching through the use of Boolean operators.</p>

<p><a href="http://community.livejournal.com/little_details/781434.html">http://community.livejournal.com/little_details/781434.html</a> has some great search engine tips.</p>

<p><a href="http://worldcat.org">http://worldcat.org</a> searches holdings of libraries across the world (emphasis on US).  Enter your zip code to find out if a library nearby owns the book you're after.</p>

<p><a href="http://www.wikipedia.org/">http://www.wikipedia.org/</a> is a free, searchable encyclopedia.  Content is user-generated.</p>

<p><a href="http://www.oed.com/ ">http://www.oed.com/ </a>is the website of the Oxford English Dictionary.  A subscription is required for use.  If you attend or work at a university, you may have access to one through your library.<br />
<a href="http://community.livejournal.com/little_details/profile"><br />
http://community.livejournal.com/little_details/profile</a> links to a LiveJournal community called “Little Details,” and is actually a very specific kind of reference resource.  Members use it to ask each other questions about tricky writing issues.  With over 3,000 users watching the community, someone usually knows the answers.</p>

<p><em>Maps and Statistics</em></p>

<p><a href="https://www.cia.gov/library/publications/the-world-factbook/index.html">https://www.cia.gov/library/publications/the-world-factbook/index.html</a> is the web address for the CIA World Factbook, which contains statistical information about modern countries.  Useful for both introductory research for modern settings and worldbuilding-by-analogy.</p>

<p><a href="http://www.viamichelin.com/viamichelin/int/tpl/hme/MaHomePage.htm">http://www.viamichelin.com/viamichelin/int/tpl/hme/MaHomePage.htm</a> has some excellent maps of Europe.</p>

<p><a href="http://hurricane.ncdc.noaa.gov/cgi-bin/climatenormals/climatenormals.pl?directive=prod_select&subrnum=">http://hurricane.ncdc.noaa.gov/cgi-bin/<br />
climatenormals/climatenormals.pl?directive=prod_select&subrnum=</a> has data about US climate normals.</p>

<p><em>Some of Caroline’s Research Links – British VisualReference</em></p>

<p><a href="http://mapoflondon.uvic.ca/ ">http://mapoflondon.uvic.ca/ </a>“maps the streets, sites, and significant boundaries of late sixteenth-century and early seventeenth-century London.”<br />
<a href="http://www.collectbritain.co.uk/"><br />
http://www.collectbritain.co.uk/</a> “over 90,000 images and sounds from the UK and beyond.”</p>

<p><a href="http://www.countrylife.co.uk/picturelibrary/ ">http://www.countrylife.co.uk/picturelibrary/ </a>features quality images dating back to 1897.</p>

<p><a href="http://www.npg.org.uk/live/index.asp">http://www.npg.org.uk/live/index.asp</a> is the site for the National Portrait Gallery (just what it sounds like!).</p>

<p><a href="http://www.oldbaileyonline.org/ ">http://www.oldbaileyonline.org/ </a>hosts “accounts of over 100,000 criminal trials held at London's central criminal court.”</p>

<p><em>Some of David’s Research Links – Assorted Topics</em></p>

<p><a href="http://www.gutenberg.org/etext/5402">http://www.gutenberg.org/etext/5402</a> links to the 1811 Dictionary of the Vulgar Tongue: “a dictionary of buckish slang, university wit, and pickpocket eloquence”</p>

<p><a href="http://nineplanets.org/ ">http://nineplanets.org/ </a>“is an overview of the history, mythology, and current scientific knowledge of the planets, moons and other objects in our solar system.”<br />
<a href="http://www.fightingarts.com/reading/article_nc.php?id=59"><br />
http://www.fightingarts.com/reading/article_nc.php?id=59 </a>provides “short summaries on various fighting disciplines from around the world.”</p>

<p><a href="http://www.soundrangers.com/category-results.cfm?storeid=1&cat_id=0108">http://www.soundrangers.com/category-results.cfm?storeid=1&cat_id=0108</a> could be really useful next time you need to describe the sound of a joint dislocating.  Soundrangers.com can be searched for reference sounds not involving bodily injury, as well!</p>

<p><a href="http://www.sacred-texts.com/">http://www.sacred-texts.com/</a> is “the largest freely available archive of online books about religion, mythology, folklore and the esoteric on the Internet.”</p>

<p><em>Some of Robyn’s Research Links – Assorted Topics</em></p>

<p><a href="http://www.palus.demon.co.uk/Sword_Stats.html ">http://www.palus.demon.co.uk/Sword_Stats.html </a>gives measurements and weights for a variety of historical swords.</p>

<p><a href="http://rhetoric.byu.edu/">http://rhetoric.byu.edu/</a> is a comprehensive resource about “rhetorical terms current from antiquity through the Renaissance.”</p>

<p><a href="http://sharkysoft.com/misc/vigenere/">http://sharkysoft.com/misc/vigenere/</a> will help you encode anything you like with a Vigenere Cipher.</p>]]></description>
         <link>http://www.robynfleming.com/2007/05/online_research_links.html</link>
         <guid>http://www.robynfleming.com/2007/05/online_research_links.html</guid>
         <category>Other Stuff</category>
         <pubDate>Wed, 23 May 2007 02:32:19 -0700</pubDate>
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         <title>Mors Didonis</title>
         <description><![CDATA[<p>Mors Didonis<br />
A retelling of Book IV of Virgil’s <i>Aeneid</i></p>

<p>“Why did you do it?” Iris asks<br />
With confusion on her face and my hair in her hand<br />
My own hands aren’t fit to hold<br />
Anything at all, covered<br />
As they are in the seafoam<br />
Of red that is my own blood<br />
Was<br />
Nothing of mine is anymore<br />
Already I feel myself losing<br />
Depth, becoming shade<br />
“Because… I loved him,” I answer<br />
After too long a pause<br />
And I did love him<br />
His body, his mind, all<br />
Except his Gods<br />
“But didn’t you love your husband?”<br />
“I did.  I do?  I don’t<br />
Know… but yes.”<br />
“But he died, and you<br />
(Died too, Iris, foolish girl)<br />
Lived, and now…”<br />
“I had a city<br />
To build, a brother<br />
To punish, things<br />
I had to do.”<br />
“And are there now no more<br />
Cities?  Nothing left?<br />
It is you who have died<br />
Dido, the world lives still!”<br />
She doesn’t understand<br />
The Gods, even<br />
The small ones can never know<br />
What a woman knows<br />
What she learns in her first breath<br />
Before her first blood has ever passed<br />
Some men, you live for, for<br />
Others, you die.</p>]]></description>
         <link>http://www.robynfleming.com/2007/04/mors_didonis.html</link>
         <guid>http://www.robynfleming.com/2007/04/mors_didonis.html</guid>
         <category>Writing</category>
         <pubDate>Mon, 23 Apr 2007 01:34:52 -0700</pubDate>
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            <item>
         <title>Heat</title>
         <description><![CDATA[<p>I thought Valeria was impossibly hot, when I first arrived there.  The air, salt-heavy from the sea, was a choking miasma by midday.  It took me a long time to get used to it.</p>

<p>Istahan, I soon discovered, is worse most days of the year.  And the desert which surrounds it, the Barra, <i>burns</i> with heat.  The scorching wind off the sands has the benefit at least of being dry.  It makes your nose bleed, your lips crack, and your eyes sting from lack of moisture, but when you sweat in it you feel a bit of relief.  You feel almost as though you’re accomplishing something.</p>

<p>Not so Mansoar.  The city is paved, and as man-made as any other place I’ve been, but it’s still in the midst of a small jungle, on the rain-shadowed side of the Asha range.  What the moisture lacks in taint of salt, it makes up for in quantity.  I have never been anywhere so humid, so oppressively hot.</p>

<p>It’s enough to make a girl from the northern mountains weep, at times, but mostly I’ve gotten used to it.  Looking out at the street today though, as the hot summer rain beats down on the cobblestones, I am struck anew by the strangeness of this place.  The rain – which falls every day, like clockwork, in the afternoon – steams as it hits the sun-baked stone and brick.  Falling water, water pooling, water rising back into the air, all mix together.  The passers-by (the natives, the ones who are cheerfully, uncaringly soaked) seem almost to float.  They swim as much as they walk, moving purposefully but slowly down the streets, following the rhythms of this place.</p>

<p>I wonder when I will learn that rhythm, or if I already have, as I lean my forehead against the cool stone of the windowsill.  A bead of sweat rolls down from my hairline across the arch of my eyebrow and down, to drip from the end of my nose.  The baby kicks, one sharp tap, before lazily rolling over.  I cup my hand over my gravid belly, rubbing smooth circles on the tight skin.  The discomfort, the heat, is so constant that the ache of it has made me numb.  I thank the Gods that it won’t last much longer.</p>

<p>“Soon,” I murmur, not sure which one of us I’m reassuring.  “Soon.”</p>]]></description>
         <link>http://www.robynfleming.com/2007/04/heat.html</link>
         <guid>http://www.robynfleming.com/2007/04/heat.html</guid>
         <category>Writing</category>
         <pubDate>Mon, 23 Apr 2007 01:31:49 -0700</pubDate>
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         <title>The Barmaid</title>
         <description><![CDATA[<p>I thank the gods that Wynn noticed it in time.</p>

<p>We had just ordered a late lunch at the Dancing Needle, a tavern near the Plaza of Cloth.  It was a nice place, clean, and with good food.  We ate there often, and the bartender smiled and gestured towards the smaller dining room in a friendly way when we walked in the door.  That private room, with its heavy, sound-muffling door, was one of the reasons that Emlyn favored the Dancing Needle so.</p>

<p>We had just gotten settled around the table in the center of the little room, having hung up our cloaks and, in my case, armor and weapons on the rack by the door, when a young woman came in to take our orders.  She was new there, a comely girl with soft brown curls and dark, wide eyes.  Emlyn gazed after her appreciatively for a long moment when she went to fetch our drinks.</p>

<p>It was when the girl came back with our drinks on a tray, murmuring, “the food will be just a few moments longer,” that it happened.</p>

<p>I was sitting across from Emlyn, and my view of her hands as she served the drinks off the tray was obscured by his body.  Wynn, sitting to the side, saw what I did not.</p>

<p>“No!” he said, lunging out of his seat to knock Emlyn’s goblet from his hand, just as our employer was about to take a sip.  “She put something in it!”</p>

<p>The goblet clattered to the tabletop, the red wine within it splashing over Emlyn’s sleeve.  The girl’s eyes widened, and she drew a long, slender knife from her bodice.</p>

<p>“Emlyn!” I shouted, hooking the bottom rung of his chair with my foot and tugging hard.  He tipped backwards onto the floor, chair and all, and the barmaid’s knife sliced through the air where his throat had been but a moment before.</p>

<p>The girl snarled in frustration, and then hissed in pain as Emlyn’s booted foot connected with her wrist from below, sending the knife flying out of her hand.  She aimed a kick at Emlyn’s ribs as he rolled away, and then ran for the knife.</p>

<p>She had only managed a few steps before I caught up with her, lunging over the table and bringing her down to the ground under my weight.  I pinned her hips between my knees, but she fought like a wild creature to get free, twisting beneath me until we were face-to-face.  I captured her wrists briefly, but she wrenched free of my grip, clawing for my eyes.  I growled as her nails tore at my skin and shifted my weight so that I could backhand her hard across the face.  She responded by kneeing me in the tailbone as I leaned forward and then throwing her weight sideways against my thigh, pushing the two of us into a sideways roll across the floor.</p>

<p>Neither of us would submit to a pin, and we rolled over several times.  She had the upper hand when we reached the wall, and tried to loosen my grip on her by slamming me into it, but I held on.  I pushed off against the hard surface, breathless as I was from the impact, and attempted yet again to catch her body beneath mine.</p>

<p>As though he were much farther away than he could possibly be, I heard Emlyn shouting.  “Get off her, Valmai!  Give me a clear shot!”</p>

<p>I was distracted, and the girl rolled atop me again.  She drove her elbow down hard against my stomach, just below my sternum.  My lungs emptied at once, and I gasped for air.  I felt her weight shift, and realized that she was reaching for something on the ground nearby, just past my head – the knife.</p>

<p>Still gasping for breath, I reached up to grip her shoulders and thrust my forehead up against the bridge of her nose as hard as I could.  I was too late to prevent her getting the knife, but she reeled backwards onto her heels, blood streaming freely from her nose, instead of finishing me off.  I scrambled up onto my knees and tried to grab her wrist, but she sliced at my hand with the knife and split the skin of my palm.</p>

<p>Her attention was focused on my left hand, and she never saw the right one coming.  I balled it into a fist and delivered a wide, roundhouse punch, connecting with a satisfying cracking sound against the side of her jaw.</p>

<p>Too satisfying, as it turned out.  Her head snapped sharply to the side under the force of my blow, and she slumped limply to the ground, knife falling from her outstretched hand.</p>

<p>No one said anything for a while, and my choking gasps as I struggled to take in air were the only sounds in the room.</p>

<p>“Merciful Night,” Wynn said, at last, breaking the relative silence.  “Is she dead?”</p>

<p>Emlyn crossed the room and knelt at her side, feeling for a pulse.</p>

<p>“Yes.”</p>

<p>He turned to me, pulling a handkerchief out of his belt-pouch and pressing it against the side of my face.</p>

<p>“I told you to get off her, not snap her neck,” he murmured.</p>

<p>“My… Apologies…” I gasped.</p>

<p>“Are you all right?” He pulled the handkerchief away briefly to reposition it before pressing it against my face again, and I saw that it was spotted with blood.</p>

<p>“Fine,” I said, beginning to regain my breath.  “And you?”</p>

<p>“The shirt is ruined,” he said, with a sidelong glance at his wine-soaked sleeve, “but otherwise I’m quite all right.  Thank you.”</p>

<p>“I don’t think she was one of Sondra’s.”  Wynn was holding the barmaid’s knife in one hand, and going through her belt-pouch with the other.  “It’s a Valerian blade, not like what they use out in the Barra.”</p>

<p>“If not Sondra, then who?” I asked Emlyn.  “Who else wants you dead?”</p>

<p>Wynn looked up at me, raising an eyebrow.  “Who <i>doesn’t</i> want him dead?”</p>

<p>We were careful, after that, never to make a habit of eating at any one place too often.</p>]]></description>
         <link>http://www.robynfleming.com/2007/04/the_barmaid.html</link>
         <guid>http://www.robynfleming.com/2007/04/the_barmaid.html</guid>
         <category>Writing</category>
         <pubDate>Mon, 23 Apr 2007 01:22:37 -0700</pubDate>
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         <title>Who is Valmai?</title>
         <description><![CDATA[<p>Valmai Hammerhand is the main character (and narrator) of my first novel, which I started writing in September of 2004, finished in October of 2005, and have been meaning to <i>re</i>write ever since.  Perhaps because Valmai’s story was my first real writing experience, she’s stuck with me and continued to inspire me, and I’ve written a fair number of short stories and flash fiction about her (and her universe), in addition to the novel where she got her start.  I’ve decided to share some of the better short pieces here on my website, since it will probably be a long time before the longer work sees the light of day, if it ever does.</p>]]></description>
         <link>http://www.robynfleming.com/2007/04/who_is_valmai.html</link>
         <guid>http://www.robynfleming.com/2007/04/who_is_valmai.html</guid>
         <category>Writing</category>
         <pubDate>Mon, 23 Apr 2007 01:18:01 -0700</pubDate>
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            <item>
         <title>Jael&apos;s Gender: A Story of Appropriation</title>
         <description><![CDATA[<p>"Jael's Gender: A Story of Appropriation" was my term paper for a course on feminist readings of the Hebrew Bible that I took in the fall semester of 2005 (my last semester before graduation from the University of Arizona).  Of all of the academic essays I wrote in pursuit of my BA, this one might be my favorite.</p>

<p><a href="http://www.robynfleming.com/pdfs/Fleming_Jael.pdf">Jael's Gender: A Story of Appropriation</a><br />
</p>]]></description>
         <link>http://www.robynfleming.com/2007/03/jaels_gender_a_story_of_approp.html</link>
         <guid>http://www.robynfleming.com/2007/03/jaels_gender_a_story_of_approp.html</guid>
         <category>Writing</category>
         <pubDate>Sat, 03 Mar 2007 23:27:27 -0700</pubDate>
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         <title>Carla-Lee.com</title>
         <description>Professional website of my good friend, Carla Lee.  Among other things, Carla writes horror fiction and truly haunting poetry.</description>
         <link>http://www.robynfleming.com/2007/01/carlaleecom.html</link>
         <guid>http://www.robynfleming.com/2007/01/carlaleecom.html</guid>
         <category>Links</category>
         <pubDate>Wed, 03 Jan 2007 14:38:09 -0700</pubDate>
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         <title>KarenHealey.com</title>
         <description>This is the website of my best friend (and frequent co-writer), Karen Healey.  Karen&apos;s blogging and academic writing tends to focus on issues of feminism and superhero comics, while her fiction writing is predominantly adult and YA fantasy.</description>
         <link>http://www.robynfleming.com/2007/01/karenhealeycom.html</link>
         <guid>http://www.robynfleming.com/2007/01/karenhealeycom.html</guid>
         <category>Links</category>
         <pubDate>Tue, 02 Jan 2007 20:44:24 -0700</pubDate>
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         <title>International Women&apos;s Day, 2006</title>
         <description><![CDATA[<p>When I was a little girl, my white-blonde hair reached almost to my waist. I liked to wear it unbound, unbraided, free from all confinement, tumbling down behind me in crazy curls and tangles, as chaotic and wild as I was.</p>

<p>“Don’t cry,” my mother would say, dragging the comb fiercely through my hair, once she finally got me to hold still long enough for some basic grooming. “Don’t cry. A woman must be stoic.”</p>

<p>I sat as still as I could, holding back the tears, biting my lips to keep from making a sound as little bursts of pain exploded across my scalp and my mother explained stoicism to me.</p>

<p>Some lessons were less painful than others.</p>

<p>“You’ll never be stronger than them,” Charlotte Hwang said to me, when I was an adolescent. I was the only girl in my age and rank range in the Dojang, and the boys were all bigger, stronger, for the first time in my life. I had been a tall child, but I am not a tall woman. “You’ll never be stronger, so you’ll have to be braver. That, I know you can do.”</p>

<p>I learned to be brave, to ignore my fear of a man’s fists, of his greater physical strength. I learned to spar with cunning where I lacked power, memorized the mechanics of the human body that allow a small woman, with her low center of gravity, to shift the weight of a much larger man. I found other ways to be strong.</p>

<p>These wise women helped to shape me into the woman I am today – a second degree black belt, an outspoken feminist, a woman who writes fantasy that isn’t all about escapism. They’ve made me strong, and stoic, and brave. I’m proud to be able to help shape the girls I come into contact with, in my turn.</p>

<p>A few weeks ago, I combed Charlotte’s daughter’s hair.</p>

<p>“I’m very proud of you,” I told her, as she sat perfectly still for me, even when I had to tug on the tangles to work them loose. “You’re being very stoic. You’re such a brave girl.”</p>

<p>“It hurts,” Esme said, calmly.</p>

<p>“I know, sweetheart,” I said. “But I have to do it. I’m almost done. You’re doing such a good job of holding still, I know it’ll only take a little longer.”</p>

<p>When I was finished, I gave her a hug, and said, “there, don’t you look pretty!”</p>

<p>I felt a flash of irritation with myself, while Esme admired herself in the mirror. She’ll have enough people telling her that she’s pretty, that she ought to be prettier, that prettiness is worth going through pain for, in her life, I thought. You should give her something more useful than that.</p>

<p>“So, Esme,” I said, as I was helping her down off the bathroom counter. “Now that you’re four, have you decided what you want to be when you grow up?”</p>

<p>“Do you think it would be hard to be a firefighter?”</p>

<p>“Well, you’d have to be very fit, and go through lots of training,” I said. “But if that’s what you want to do, I’m sure you can do it.”</p>

<p>Esme nodded, thoughtfully. “Or maybe I can be a police officer.  Do you think that’s hard?”</p>

<p>“There are lots of kinds of police officer,” I said. “I’m sure you can find something that would be a good fit for you.”</p>

<p>“I would be the kind that carries handcuffs, and catches the bad guys.  Because I’m very brave.”</p>

<p>“You are,” I agreed. “Very brave. Do you want to go pick out a video to watch, now?”</p>

<p>“Yes,” Esme said. “Carry me?”</p>

<p>I picked her up, and she wrapped her arms around my neck, and leaned her head against my shoulder.</p>

<p>“I did a good job, didn’t I? Holding still.  Stoic.” She rolled the new word carefully in her mouth, memorizing its shape.</p>

<p>“You did,” I said. “I’m very proud of you.”</p>]]></description>
         <link>http://www.robynfleming.com/2006/11/international_womens_day_2006.html</link>
         <guid>http://www.robynfleming.com/2006/11/international_womens_day_2006.html</guid>
         <category>Writing</category>
         <pubDate>Tue, 07 Nov 2006 15:19:25 -0700</pubDate>
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            <item>
         <title>Things My Mother Taught Me</title>
         <description><![CDATA[<p>Things My Mother Taught Me</p>

<p>Could you kick<br />
In those shoes<br />
In that skirt<br />
Could you run?<br />
Could you drop everything<br />
And yell<br />
And scream<br />
And fight?<br />
Keep your nails short<br />
Keep your teeth sharp<br />
Keep your keys in your hand<br />
And your hands free<br />
Walk straight to your car<br />
Don’t stop<br />
Never stop<br />
Lock all the doors<br />
Put on the chain<br />
Keep an eye on your drink<br />
Go with a friend<br />
Leave with your friend, not someone else<br />
A plan only works if you stick to it<br />
And when the man on the street asks you “Miss…?”<br />
Don’t stop<br />
Better to be rude than dead or worse<br />
Trust your instincts<br />
Trust your impulses<br />
If you don’t like that guy<br />
Cross the road<br />
Get out of the elevator<br />
Pretend you forgot something<br />
If your gut says go, then go</p>

<p>Remember: Instep Knee Groin Solar plexus Throat Eyes<br />
As he passes you, look at his eyes<br />
And keep your eyes moving<br />
Look alert<br />
Look dangerous<br />
Don’t look like a victim<br />
Don’t listen to a walkman<br />
Don’t isolate yourself<br />
Keep yourself safe<br />
Don’t panic</p>

<p>Always fear</p>]]></description>
         <link>http://www.robynfleming.com/2006/11/things_my_mother_taught_me.html</link>
         <guid>http://www.robynfleming.com/2006/11/things_my_mother_taught_me.html</guid>
         <category>Writing</category>
         <pubDate>Tue, 07 Nov 2006 14:43:12 -0700</pubDate>
      </item>
            <item>
         <title>Sonnet for a Superheroine</title>
         <description><![CDATA[<p>Sonnet for a Superheroine<br />
(For Karen, on the Occasion of Her Birthday)</p>

<p>Her origin is not so secret, she<br />
Was a girl, like many others; but when<br />
The little girls were taught that they must bend,<br />
<i>She</i> schooled herself in ways to disagree.<br />
She chose red over pink, and skinned her knee,<br />
Running so fast she almost flew, and then<br />
She knew she was strong, knew she could defend<br />
Her silenced sisters – she could set them free.</p>

<p>She has no costume, doesn’t wear a mask,<br />
And her weapons are not knives, or guns, but<br />
Words; carefully chosen and swiftly hurled.<br />
For daring to speak, she’s called bitch and slut –<br />
Why does she do it then, this thankless task?<br />
Because <i>somebody</i> has to save the world.</p>]]></description>
         <link>http://www.robynfleming.com/2006/11/sonnet_for_a_superheroine.html</link>
         <guid>http://www.robynfleming.com/2006/11/sonnet_for_a_superheroine.html</guid>
         <category>Writing</category>
         <pubDate>Tue, 07 Nov 2006 14:28:57 -0700</pubDate>
      </item>
            <item>
         <title>Meetings</title>
         <description><![CDATA[<p>Meetings<br />
(For Karen)</p>

<p>The first time we met, we both<br />
Wore theory; so embarrassing<br />
When two women wear the same gown to a party!<br />
But feminism, that little black dress, is<br />
One of those things that can be endlessly<br />
Accessorized for a different look.<br />
The Bible (me) and pornography (you)<br />
Can seem alike from a distance, but really<br />
They’re as different as sandals and stilettos.<br />
With a conspiratorial, confident wink and<br />
A whisper, you put me at ease.<br />
“Phallologocentric,” you said, and I<br />
Replied, “homosocial,” and we<br />
Understood one another, and<br />
Damn all the rest.</p>

<p>There were lots of meetings, after<br />
That; soon, we had our novel<br />
The way other couples have<br />
A favorite café, or<br />
A baby.  And we<br />
Shared sentences, and<br />
Thoughts, the way others might<br />
Share keys, or grocery bills.</p>

<p>But when I <i>met</i> you, when<br />
You were real (you’ve always been<br />
<i>Real</i>, really, but you<br />
Understand) – when I had<br />
Seen you, when I<br />
Heard the words<br />
Spoken in your own voice, terms<br />
That I had only<br />
Read, before – well!<br />
How can I describe it?  It was<br />
A riot of language, and plans, and Diet Coke<br />
Cans, and bottles,<br />
In the foot-wells of my car, chocolate<br />
Everywhere, and the two of us<br />
Hand in hand and<br />
Silver-ringed, subverting the male gaze<br />
Of trees and aggressive kiosk vendors alike:<br />
“Nice boobs, baby.  Want to<br />
Overthrow the patriarchy?”</p>

<p>That was the best meeting<br />
Of all, and all<br />
Too brief.  A handful<br />
Of days like water<br />
Held in the hollow<br />
Of my palm for a time, but<br />
Inevitably seeking freedom between<br />
My fingers.  You slipped<br />
Away like that, except<br />
No ocean ever had so much<br />
Luggage, and I have never watched,<br />
Anxious, to be sure that a wave passed<br />
Straight through airport security.</p>

<p>You left so many things behind! Your<br />
Secret-message-writing bubblegum gun,<br />
Leftover Greek,<br />
A feathered mask, all<br />
Scarlet and gold, the memory<br />
Of your dancing, and my<br />
Elbow at your shoulder in the dark<br />
Theatre, subtext all over the screen.<br />
And me,<br />
Missing you.  Yours –<br />
Until we meet again<br />
(And after).</p>]]></description>
         <link>http://www.robynfleming.com/2006/06/meetings.html</link>
         <guid>http://www.robynfleming.com/2006/06/meetings.html</guid>
         <category>Writing</category>
         <pubDate>Tue, 13 Jun 2006 17:26:18 -0700</pubDate>
      </item>
            <item>
         <title>Cerise Magazine</title>
         <description><![CDATA[<em>Cerise</em> is a web-based magazine for women gamers.  I have edited and contributed to it.]]></description>
         <link>http://www.robynfleming.com/2006/05/cerise_magazine.html</link>
         <guid>http://www.robynfleming.com/2006/05/cerise_magazine.html</guid>
         <category>Links</category>
         <pubDate>Wed, 03 May 2006 01:06:25 -0700</pubDate>
      </item>
      
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